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That's an accurate figure by then.Sometimes you might want to trim some section of a movie or a song and remove the unwanted parts of it or you just need to cut the large video or audio into smaller pieces.
That is, when I was in the film school, either some used system from late 90s (I still remember the release of DaVinci 2K systems in the early of my editing academic days, we editors were used to AVID in that period) or/and addressed to some education/training program promoted by the brand.
A F900 Cinealta (before the F900R) costed 103,000, the exact quotation I had to buy my camera unit when I finished my film graduation. Usually quoted in pound sterling in that period for the whole of European markets. It was possible to buy the equivalent to 100,000 then back to early noughties. MSRP or street price? The currency value in 2019 or twenty years ago? I should have written in some European currency even before the euro starting in 2002. I use Resolve for my complete end-to-end workflow and it's fully functional, and is the best colour engine you're going to come across (the competitor to Resolve is Baselight, but there's a reason you haven't heard of it.) If you search google for Resolve you get ads for Adobe PP - this isn't a coincidence! Not only is the free version excellent, but over the last few years Resolve has gone from not even being in the picture to being a serious contender for FCPX and PP, with people starting to switch in real quantities. Even though this was in line with industry standard practice, it meant professional color correction was way too expensive for most people to afford." "In the past DaVinci Resolve systems were pre built and priced from $200,000 for a 1 GPU based system, to over $800,000 for a 16 GPU top of the line system. This playground was in the $100,000 mark some time ago.
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